Stage
Goodbye Mr Coffee, Courtyard Theatre, Camden Fringe, stage review: ‘Delicately-written drama’
The first production from De Beauvoir’s Brian Voakes is ‘at once relective and humorous’
Read MoreConversion, The Lion & Unicorn Theatre, stage review: ‘Delightfully light-hearted take on weighty subjects’
This play continues Precarious Theatre’s reputation for ‘quirky yet thoughtful studies of socially relevant topics’
Read MoreCamden Fringe – Extreme [The New Norm]: ‘drama that has emerged far enough from the gloom’
A series of satirical sketches based on the Covid emotional rollercoaster
Read MoreBubbling at the Camden Fringe – review: ‘packed with echoes of Sartre and Beckett’
An experimental drama by Bodies for Rent
Read MoreDead Souls, Camden Fringe, stage review: ‘A ribald romp’
Leo Egger’s adaptation of a literary classic at Etcetera Theatre is ‘hugely entertaining’
Read MoreWhen Winston Went to the War with the Wireless, Donmar Warehouse, stage review: ‘Entertaining viewing’
Sam Thorne’s new play ‘probes at tension at the heart of the state broadcaster’
Read MoreFailure Studies, Camden Fringe, stage review: ‘Genuine insight and endearingly zany dialogue’
Marco Biasioli’s play ‘offers a quirky take on society’s equation of success with professional achievement’
Read More¿Rob or Rose?, Camden Fringe, stage review: ‘Bouncy dialogue and an ever-shifting narrative’
Henry Charnock’s hour-long play is ‘delectable’
Read MoreSustainably made play about climate change activism and class identity is coming to Camden
Boundless Theatre production by award-winning writer Nessah Muthy is set for three dates in the borough
Read MoreBreakin’ Convention Presents The Ruggeds: Between Us, Peacock Theatre, dance review: ‘Unpretentious evening of fun’
An evening of ‘energetic Dutch blokes spinning around on stage’ is a ‘heartfelt ride’
Read MoreWhen Darkness Falls, Park Theatre, stage review: ‘Jump scares, bubbling dread, and historical intrigue aplenty’
The horror play centred around the myths and history of the Channel Islands is ‘genuinely frightening’
Read MoreHenry Churniavsky, Camden Fringe, stage review: ‘A cleverly layered hour of stand-up’
The Liverpudlian comic delivers with an ‘off-beat take on our current predicament’
Read MoreFester, Camden Fringe, stage review: ‘Old tropes given an engaging twist’
The new play based loosely on Goethe’s Faust is ‘funny and powerful’
Read More‘I believe in ghosts, but not the Scooby Doo kind’: When Darkness Falls director on how the spooky new play breaks from tradition
Paul Morrissey speaks to Lizzie McAllister ahead of tomorrow’s opening date at Park Theatre
Read MoreNice Try/Clown Nipples, Camden Fringe, stage review: ‘Cultural chasm bridged by quirky humour’
This two-for-one stand-up show at Etcetera Theatre sees two American women grapple with their identities
Read MoreThe Sorcerer’s Apprentice, Southwark Playhouse, stage review: ‘A pleasant if not particularly original experience’
Despite leaning on a few tired tropes, this reimagining of a popular German fairytale offers ‘old theatre magic aplenty’
Read MoreGood Grief, Original Theatre Online – review: ‘Tasteful exploration of our capacity for regrowth’
Blurring the line between a play and a film, this unique portrayal of loss is ‘sharp and biting’
Read MoreSweat at the Donmar – review
The Pulitzer Prize-winning play by Lynn Nottage
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